
Wandering Wit​h
Wandering Wit​h
Yasmin Saoirse
Burlesque
The Musical, The Savoy Theatre London
​​All views in this piece are my own. I attended Press Night 21/07/25 as well as having seen the show the week before. That I purchased my tickets for.
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— I would like to acknowledge the controversies that have recently come to light in regards to this production. I have full faith in the team behind it. And that they will sort it out and resolve these issues fairly. —
***in three words:***
Bold, Beautiful, But...

Somethings got a hold on me & I’m fairly certain it’s Jess Folley of Burlesque the Musical at The Savoy London.
I have seen this show twice now. The glow up in the last week is admirable. And whilst it could still be taken in a few scenes, the corset has been laced tight & the majority of those loose suspenders have been clipped.
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This show opens with a power move we don’t see often enough on the Westend Stage. Radical inclusivity. A true representation of the art form & name sake of the piece. Reflecting realism whilst still presenting this girly pop fantasy.
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Jess Folley, who plays Ali, Xtina’s beloved small town archetype. Is simply spectacular. Her vocals are on point in every scene. And this week, costume caught up. Her vocal ability had my jaw on the floor repeatedly throughout the show. I could listen to her on repeat. - we are going to need NEED a cast album. Just saying.
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Todrik Hall, who embodies Shaun, Stanley Tucci’s character from the movie & all round show stopper. Brings ‘it’ to the stage. Wearing many hats in this production; actor, choreographer, composer and that one he clearly nicked off Boy George. Hall has done an impressive job bringing this production together. Mostly with respect to the show girls who assled before us, and keeping space for the future sparkling diamantés yet to come.
Orfeh has such a powerful voice. I am so glad i got to see her as Tess for a second time on the press night. Her stage presence is unmatched and her comedic timing with Todrik throughout was perfection. But someone really does need to get this woman a Cathrine D’lish.
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At the interval I began texting the girls :
“Ok. So burlesque the musical at the Savoy is fantastic.
This show is diverse. It’s gorgeous.”
My concerns only arrived in the second act. Personally I don’t mind the storyline changes from the movie. I think Tess & Ali work quite well as mother & daughter. The long lost aspect could use some work. I love the power they could bring to the stage as a pair.. But we don’t get to see this. Instead the writers have decided to throw it all away on a cheap laugh.
After nearly three hours of show and a literal song and dance number about respecting burlesque and performers, of female empowerment. The highlighting of Jake Dupree’s Trent to Chardonnay… they throw it away on a tackless ending of humiliation. Using what they previously presented as empowerment, is now a tool for blackmail. Vince is forced into lacey lingerie and made to dance for the camera.
This chapter leaves such a bad taste.
The ending does need to be revisited. The first act is beautiful. Powerful. The second, whilst jumpy, mostly keeps that energy going. But that ending. Simply put: No thank you.
All opinions expressed in this post are my own. My first viewing I purchased tickets. The second was a PR invite via @thesocialsort, thank you @theycallhimjames for bringing me.